Topic #540
Have you included any of your major life events into your stories?
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Writing historical fiction makes this an absolute yes. Real historical events are major life events, just shared by a lot more people. It’s hard to not include them in that genre. Everything hinges upon them. However, I try to be more creative than just focusing on actual history. In writing fiction, there is leeway. That said, I don’t like to teach wrong history either.
Literary license is a term that has been used in the past to cover up irresponsible behavior by authors in regards to history, realness, and important topics. While we would like to hold them responsible, we cannot ignore that the audience often passively accept what they read as fact, giving it no critical thought. They adopt the writing into their memories and attach it to realities. For the most part, when confronted, they’ll understand it isn’t for real, but they often have poisoned their understanding of a history by the fiction they attached to it. There is a better way!
A great example of this is how we remember our national histories and cultures. Very often, what is remembered is a fictionalized version over the real, built up from years of media consumption that doesn’t challenge sanitized and unsophisticated views and storytelling. Look to John Wayne films meant to entertain, not teach, but also leveraged to build consensus around what a population desired to believe about itself. When unchallenged, this becomes the history over the actual history. It’s more successful in being learned because it is fun, glitzy, and avoids complicated feelings.
With my historical writing, I don’t want to partake in this type of consensus building. It leads to misplaced and nationalistic notions that can actually build to violence. Thank you, I’ll pass on contributing to that outcome. But can we, as writers, avoid it entirely? As I said above, we can’t entirely hold the writer culpable. There are those who want fiction in place of fact. When presented in glitzy stories, it’s an easier pill to swallow. When history dresses in less complicated language and omissions, we cope with it best. It’s seductive.
I totally understand. Real history is such a dark tale. That said, we cannot sit here with a binary of black and white. That’s how we continue to repeat terrible acts against one another. Humans are so grey–a brilliant mix of bad and good, complicated and messy. That’s more interesting than blowing sparkling smoke up the ass of the reader to make them feel better about themselves. Let them be wholly seen as complicated individuals. So what. We all have work to do on ourselves and our behavior.

Likewise, I write about more personal experiences to let those complicated people out there know they are not alone either. For instance, if Trailokya reaches one or two victims of domestic violence (DV) before they end up in the most dire of straits–I’ve done my job well. The thing is, DV isn’t one of those histories that we face head on and discuss to prepare our future generations against it. We teach them not to bully, to love the Earth, and that war is bad. Do we ever teach them the red flags that a partner might wave in their face so they can protect themselves?
Worldwide, red flags are swept under the rug and excused. You’ll see manipulative behavior promoted as strength, common sense, or even care. Relationships are already complicated. How do we parse what is normal and what is a warning sign? My thought was to rip the mask off of this. I take a inarguably strong character, who should never fall to manipulation, into such a place in their life, with everything going for them, and show how their world just seemed to conspire to create that situation. In essence, it is the culture and people in it who set us up to accept others that are not good for us, giving us all the excuses to forgive and allow when we shouldn’t.
You’re helping them heal. They have issues, and once they figure that out they’ll be a better person. They love you, and you should cooperate better to help them. They’re not succeeding because you’re not holding up your end of things. You need to try harder for them. Forgive them, because they didn’t mean to hurt you. They’ll do better next time. You have to provide them a soft landing. They work so hard and struggle, give them a break. He’s so really cute, though, I can’t believe he’d do that. He could have anyone, but he picked you, be grateful. It’s your role.
It’s incredible the things we will hear from others in the periphery of our relationships. Their family and friends, our family and friends, then acquaintances and outsiders, sometimes leaders, all operate in ways that assist the perpetrator–aware or not of what they do–because the culture is constructed to do so. It’s as if the original human abuser set it all up to perpetuate the manipulation for eternity. Maybe they did (after all, look at history).
Taking everything I learned and compacting it into a tale that I drew from decades of dreams and nightmares is me telling a real shared human tale, hoping to save someone from the suffering, and create ripples in my community that will reach across the spaces between us and teach. Domestic violence is so nefarious. The survivor is forever changed, often permanently harmed, yet the laws don’t reflect this. How do we change any of that? We teach what it is, how it manifests, and how to help protect against it until we can get legislation that addresses this economic and health drain to our community from such a damaging act.
It’s an uphill battle, but making a difference for a few matters. Let’s see what the other authors have written into their work. I know a few have, but I’ll let them tell you about it because they make it so interesting! Don’t forget to subscribe before you go. Drop that email in the box on the top right. The hop will arrive in your inbox without the need to search for us. Easy as pie! See you next time.
















