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Topic #522
Do you include your character’s family in your stories?
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Prior to this question, the thought of family and its importance to my writing had not occurred to me. This is one of those moments where I realize that the study of literature and literature theory has its validity. Much of what we writers do syphons from a largely inaccessible subconscious. Outside forces, so to speak, must act to bring the realizations forward to the conscious mind.
Let me start by saying, family matters a great deal to me. Growing up, I was blessed with both parents who focused on providing me and my brother with a life better than theirs. For my mom, this was of the utmost importance. She grew up in severe poverty. Rising from these beginnings, creating a stable home, and futures for her children was what she saw as success. To this day, she takes great pride on her home, the center of the family.
Everything I have is because of the hard work of my parents. It is my hope that I can pass on just as great opportunities to my daughter. Now, the struggle toward better things is for her sake. So, you can see that family is the central focus of what matters in my world.
Good friends and close family are themes that run throughout all my books. That said, there are some familial figures that pose problems to the characters of those same books. This idea stems from the personal knowledge that not everyone blood related to you has your best interest in mind. While my parents were loving and focused on raising a family with all the love they had to offer, there were family members that were downright nasty.
In a previous entry of the Open Book Blog Hop, I wrote about how much of me enters into the work I create. A great deal of me fills the pages of the Trailokya series. I’ve written extensively on how my dreams inspired the work along with other points of inspiration. Certainly, you’ll find those details easy to map. Yet, as far as which character a family member inspired and how poses a greater puzzle to piece together.
Across all of the books, various familial inspired manifestations mingle, mixed and matched to mold believably human characters. The aunties of our world have no reflection in the aunties of my books. The mothers aren’t exactly my mother. The fathers aren’t my father. That is how it works.
In the end, you don’t want to read a story about my bland life. I don’t write to reexperience my life, either. Largely, me and readers are on the same page, seeking escapism through the written word. I’m more interested in exploring unreal worlds and having a thought experiment about how things that pop into my head might play out. Thus, you’ll find bits and pieces filling in the picture–a mosaic rather than a reflection.
If you smashed a life, for instance, you could take the shattered pieces and create unlimited mosaics that never resemble the original. Unless you knew the original, you’d never identify what the pieces once belonged to. One might get lucky and piece together some details.
Regardless of how I wrote any of my stories or what details of me made the cut, the visible thread boldly winding through the fabric of my novels is how important family is to one’s outcomes. Emily would not have had her story without the contrast of her parents. Claire would not have found safe harbor without Aunt Noreen. Lastly, Captain Maiel could have floundered without her loving family laboring upon her behalf.
Inevitably, what bits are me and what are fabricated little matters outside of what I’d call morbid curiousity. My life experiences help me conceptualize stories. That is why I recommend authors live their life as much as possible above writing for a set time each day. Expanding experiences, and thinking about them critically goes a long way to making believable characters in believable situations, and so on. Write what you know!
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